Black Angel, A Life of Arshile Gorky by Nouritza Matossian

BLACK ANGEL
A Life of Arshile Gorky

Nouritza Matossian


OVERLOOK PRESS, NY 2000
Peter Mayer Publishers, Inc.
212-965-8407

Chatto & Windus, Random House , UK

PIMLICO PRESS Paperback 2001
Press Contact: Ruth Warburton
0207 840 8592
rwarburton@randomhouse.co.uk

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The acclaimed biography of
Arshile Gorky, the charismatic,
controversial genius of 20th Century art


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A revealing contribution to the history of the post-war avant garde
/ The Independent

An intelligent book / The New Yorker

An accessible biography, result of a long investigation which covers elements of the intimate aspects and techniques of the composer. The early life, architectural experience, musical career are exhaustively treated and clearly explained for the first time. An excellent introduction. / Le Monde Musical Opinion

Authoritative / Choice

Fascinating. Highly recommended / Library Journal

Written only after Matossian tamed the savage inventor of stochastic music / Journal de Geneve

‘Xenakis’ is a work that has a truly wide range of appeal and would be an asset to any library’s collection on contemporary music.
/ Perspectives of New Music


Iannis Xenakis, a political refugee under sentence of death from war-time Greece rose to become one of Le Corbusier’s chief collaborators and the pioneer of the computer age in digital music and arts. An outsider and radical thinker, he dealt a death blow to post-war serialism, introduced and invented revolutionary ideas in architecture and music based on natural principles, mathematics and philosophy.

Shunned by his contemporaries, by the end of the 20th century he had outstripped them all and opened up new spaces for music of mass sounds and vast scale. His theories embracing the new computer science led the way to discoveries in methods of composing for traditional instruments as well as electronic music, architecture and light.

Since it was first published this highly readable book has helped audiences, students and musicians to enjoy and understand Xenakis for the first time. Nouritza Matossian’s book has become the classic work on Xenakis and modern music.

Over thirty years Xenakis became Matossian’s interlocutor and friend. Dropping his habitual reserve he spoke frankly about his work and personal life. She writes lucidly and beautifully with deep insight and exact knowledge into his personality and life. She weaves his ideas, theories and methods in a thrilling and instructive account which makes for exciting reading.

This book unlocks the mysteries of Xenakis’ architecture, composition and philosophy, simply, yet without compromise. This first and only biography of one of the foremost composers of our time, Xenakis has proved to be the primary reader and most important reference on this complex creator.

Matossian, the distinguished biographer of the artist Arshile Gorky, charts Xenakis at the height of his creative powers as he harnesses new discoveries in composition and architecture; creates centres of automated and electronic music; writes about the theory of his method using chaos theory; attracts ever greater numbers of musicians to his prophetic view that with the computer, science and art would converge one day. This book is essential reading for understanding the basis of the digital arts and music revolution of our millenium through one of its leading pioneers.

Generously illustrated with musical, architectural and personal photographs, sketches, scores as well as un unpublished interview and valuable appendices.




Portrait of Hope: The Armenians by Huberta von Voss
New Publication by Hans Schiler Verlag Berlin

November 2004 saw the launch of a remarkable new book in Germany "Porträt einer Hoffnung: Die Armenier" by Huberta von Voss (Verlag Hans Schiler) "Portrait of a Hope: The Armenians,"  413 pages, with black and white photos.

A colour portrait of  Nouritza Matossian as Gorky's mother Shushanig from her performance Black Angel, A Double Life of Arshile Gorky is on the front cover.

It is a collection of portraits of Armenian personalities such as Charles Aznavour, Peter Balakian, Atom Egoyan and essays on history, art, music film, politics, historic places, written by a panel of authors such as Yehuda Bauer, Vahakn Dadrian, Taner Akcam, edited by Huberta von Voss.
 
The book includes a portrait written by Huberta von Voss of Nouritza Matossian entitled "Die Spurenleserin", "The Tracker",  and a traveller's account in the past and present: "Endstation Wüste: Ruckkehr nach Deir-es-Sor", ''Destination Desert: Return to Deir Zor" by Matossian.

ISBN 3-89930-087-4



Review in The Observer 17 / 04 / 2005
Istanbul by Orhan Pamuk


English Pen - 24th April 2005
Armenian Fauna Ethnically Cleansed or A 90 Year Old Debt


Article in The Observer 27 / 02 / 2005

World View: They say 'incident'. To me it's genocide



"Black Angel is by Nouritza Matossian who was impelled by her identification
with Gorky as a fellow-Armenian. Matossian is ardent and often moving."

New Yorker, September 2003

Listen to an Armenian Interview of Nouritza
talking about
Ararat & Black Angel:
A Life of Arshile Gorky

http://www.vem.au

 

Black Angel - The book which inspired
Atom Egoyan's controversial movie Ararat

"This extraordinary book passionately lays bare the tortured soul of one of this century's great artists, Arshile Gorky. Tracing his childhood in Van through to his flight to America, Nouritza Matossian vividly explores the sources of Gorky's unique genius. This stunning piece of work is emotionally charged, and achieves a rare alchemy of scholarship, personal reflection and historical testimony.

Arshile Gorky appears in my new film Ararat inspired by Nouritza Matossian's book."

The Independent Newspaper 20th May
Ararat ; When History Still Hurts by Nouritza Matossian


Cannes Film Festival Official Selection 20th May 2002 World Premiere



Egoyan, Matossian and Abkarian (Arshile Gorky)


'A major biography . . . a love affair between biographer and subject revealed.' -The Times.

Black Angel, The Double Life of Arshile Gorky dramatises the story of the heroic Armenian American artist Arshile Gorky (1904-48). In a series of four monologues the author/actress adopts the point of view of the women central to his life: his mother, sister, lover and wife. The performance connects Gorky to his Armenian origins, and concerns the ways in which cultural traditions, politics and personal history are intertwined. It is accompanied by images and music.


Iannis Xenakis

Black Angel

Black Angel: A Life of Arshile Gorky

Ararat

UK press reviews

   
     

Articles by Nouritza Matossian


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© Hagop Matossian 2005